最强反派徐天，被无数天命之子算计致死，重生后绑定截胡系统的他，开始不讲武德的截胡之路。逆天机缘，漂亮妹子，无敌法宝，徐天通通半道截胡，还要把众多天命之子忽悠过来当牛马！

最强反派徐天，被无数天命之子算计致死，重生后绑定截胡系统的他，开始不讲武德的截胡之路。逆天机缘，漂亮妹子，无敌法宝，徐天通通半道截胡，还要把众多天命之子忽悠过来当牛马！

做事认真踏实的石田硝子因为“头脑像石头一样顽固”而被人叫做“石子”。她以第一名的成绩从东大法学部毕业，司法考试却四次落榜。她对周围的人说“我不是不能成为律师，是不想”，而实际是她害怕第五次落榜，放弃了考试。现在的她怀揣着自卑感在父亲经营的“潮法律事务所”当律师助理。石子的父亲绵郎是个老好人，遇到有困难的人没法置之不理，就算免费也要为他们辩护，但石子不想成为像父亲那样的人。 　　羽根冈佳男有像拍照一样把看到的东西记下来的天赋，司法考试预告、司法考试都是一次就合格，一看就是个能干的律师。因为“性格像羽行一样轻飘飘”，所以他自称“羽男”。而实际上他应对能力欠奉，一发生计划之外的事情就脑子短路。这让他很自卑，但为了不让大家看穿这一点，他打造了“破天荒型天才律师”的人设。 　　东大毕业、四次法考失败的石子，司法考试一次性通过的高中学历律师羽男，这两个因对方而自卑的人，作为律师助理和律师组成了搭档，共同解决琐事纠纷，并从中获得成长 。

意外穿书：现代青年沈夜熬夜看小说《仙道至尊》，意外穿书，成为书中尚未成长起来的反派大BOSS——魔教少主“炎辰”。原主未来会因屠杀正道、与男主不死不休而惨死。 觉醒系统：绑定“反派生存系统”，主线任务——在男主成长起来前将其扼杀，否则将随原剧情走向死亡。 初识世界：沈夜发现自己身处魔教分坛，修为尚浅但天赋惊人，身边危机四伏（教内权力倾轧、正道围剿）。

男主穿越成短剧反派，以反串视角体验短剧反派的剧情，为不被剧情杀逐渐黑化。逼我当反派，要我做恶人，那我就恶给你们看，装战神的逼，抢战神的女人，让战神沦为伪君子，实现反派逆袭主角的反转。

美丽的蔬菜园里，一群可爱的蔬菜精灵与青虫怪之间斗智斗勇的幽默搞笑而又富有知识性的故事。青虫怪是蔬菜精灵的天敌，它最大的爱好就是喜欢吃蔬菜，蔬菜精灵在白菜精灵的带领下一次又一次的挫败青虫怪的种种诡计和阴谋，保护了蔬菜农场。

影片讲述了一个家庭对史上最大的宝藏——印加末代皇帝藏在厄瓜多尔亚马逊地区的黄金——长达数十年的寻找过程。年轻的派普应神秘的父亲邀请一同寻找印加黄金，但随着他们不断深入丛林，派普发现他们无法逃离与如影随形的家族阴影。影片突出展现了一个年轻人所面对的现实冲突：一方面，他试图和关系疏远的父亲建立良好关系，并获得他的认可；另一方面，他与自己的童年渐行渐远，逐渐成长为一个男人。此外，影片还采用创新的电影技术，用遥控摄影机拍下了亚马逊地区从未被拍摄过的风景。

In an interview with Hans Scheugl about the ideas and techniques behind some of his films, the film-maker Kurt Kren told the following anecdote, which sheds an interesting light on his work. For his film Tree again (1978), Kren used a highly sensitive infra-red color film, a type which usually has to be developed within a very short period of time. However, Kren who has always worked on a very small budget, only had a roll of film which was already five years past its expiry date and, as Kren says, "there was little likelihood of anything turning out on the film." But he still decided to take shots of a large and splendid tree surrounded by bushes and a stretch of pastureland over a period of several weeks, from summer to autumn - a series of individual pictures taken from the same camera position. As he says, "I didn´t have much hope - (I knew) it was a crazy thing to do." But Kren´s illogical hope and his unshakeable confidence in his material were rewarded. Tree again became one of Kren´s most beautiful works - although it is difficult to single out any individual work from a corpus of extraordinary density and variety which spans over thirty years and includes over 40 films. The tree, the field, the sky, in fact the entire picture radiates an unusual, almost eerie artistry, with its rapidly changing blue, green and reddish hues, sometimes brightly illuminated for the fraction of a second like the flash of lightening in a technicolor horror film. Or a sky of deep blue with clouds scudding across it, an airplane drawing condensation trails which fade away imperceptibly, the abrupt juxtaposition of sun and shadow and the strong, gusty movement of the wind amongst branches and leaves, as though an endless and destructive storm were at work. An apocalyptic picture, yet one that is full of a wonderful, quiet beauty - the changing of the sun, and the play of light, how autumn arrives in a matter of seconds and the leaves begin to fall, the shadows of grazing animals which appear and disappear in the blink of an eye.

三个年轻人为了让他们的冒险频道增加更多的人气，去神秘的城市卡萨布兰卡旅行，却没有意识到它隐藏了一个可怕的秘密。